A bold, dialectic engagement with Fredric Jameson’s thought Fredric Jameson (1934–2024) is widely regarded as the most influential literary and cultural theorist of the past fifty years. The culmination of more than three decades of sustained engagement with Jameson’s work, Late Theory offers a critical response to his late writings, namely the final volumes of his “Poetics of ...(展开全部)

Widely regarded as one of America's most important cultural theorists, Fredric Jameson has been at the forefront of the field of literary and cultural studies since the early 1970s. Author of The Political Unconscious: Narrative as a Socially Symbolic Act and Postmodernism, or, the Cultural Logic of Late Capitalism, Jameson is without doubt one of the leading intellectuals of o...(展开全部)

Inthe name of an assault on totalization and identity, a number ofcontemporary theorists have been busily washing Marxism's dialecticaland utopian projects down the plug-hole of postmodernism and post-politics. A case in point is recent interpretation of one of thegreatest twentieth-century philosophers, Theodor Adorno. In thispowerful book, Fredric Jameson proposes a radically...(展开全部)

Through a series of incisive readings of leading theoretical figures of affirmationism -- Jacques Derrida, Gilles Deleuze, Bruno Latour, Antonio Negri and Alain Badiou -- Benjamin Noys contests the tendency of recent theory to rely on affirmation, and especially an affirmative thinking of resistance. He reveals a profound current of negativity that allows theory to return to it...(展开全部)

Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism." Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low," from market ideology to architecture, from painting to "punk" film, from video art to literature.

The dangers of immediacy: why speed, flow, and direct expression now dominate cultural style Contemporary cultural style rejects mediation in favor of direct access, extreme affect, and rapid uptake. These are values it borrows from the economic conditions of “disintermediation”: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what...(展开全部)

The dangers of immediacy: why speed, flow, and direct expression now dominate cultural style Contemporary cultural style rejects mediation in favor of direct access, extreme affect, and rapid uptake. These are values it borrows from the economic conditions of “disintermediation”: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what...(展开全部)

Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism." Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low," from market ideology to architecture, from painting to "punk" film, from video art to literature.

Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism." Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low," from market ideology to architecture, from painting to "punk" film, from video art to literature.

Iser examines what happens during the reading process, and how it is basic to the development of a theory of aesthetic response, setting in motion a chain of events that depends both on the text and the exercise of certain human faculties.